SmartOne_2000
Active member
@SmartOne_2000 I have very quickly thrown a P482 (Purifi 1ET6525SA) on the bench and performed some tests to demonstrate the things mentioned above. Our high power dummy load is being used on other work so with these tests I was limited to 10 watts, but this is well into the "hump" range shown in the plot you provided. It was quick and dirty so please dont take this as any difinitive indication of the amps performance.
So we have 5 FFT plots at 100Hz, 1kHz, 5kHz, 10kHz and 15kHz at 10 watts.
View attachment 220
1kHz
View attachment 216
5kHz
View attachment 217
10kHz
View attachment 218
15kHz
View attachment 219
Firstly, noise. You can see it has a small rise towards 45kHz, but is exceptionally low and remains constant regardless of the test signal frequency.
Secondly, the number of harmonics. As discussed, the number of harmonics included in the THD reduces as frequency increases.
Thirdly, harmonic amplitudes. Yes they increase with increasing frequency, but no where near as much as seen in the example you provided. The THD went from -125dB to -103dB.
So to conclude, yes the additional bandwidth of measuring to 48kHz has made the measurement indicate a rise in THD. However, this rise is misleading from a subjective point of view because the harmonics which cause the rise are well above the audible range. They are also still very low in level. They could never be heard. So again, limiting THD+N measurements to 20kHz is the correct thing to do.
Another thing to consider is that due to the spectral nature of music, i.e. there is very little content at high frequencies, you would never actually be making the amp produce 10 watts at 20kHz. Possibly 2 watts tops. Testing at 5 watts at 20kHz more than covers any real world situation.
This is more than definitive proof Alan. Your modules are definitely designed differently! Thank you so much for making the time and effort to produce these read-them-and-weep graphs. Your are correct to state that limiting the bandwidth to 20kHz is best, not only because ultra-sonics are inaudible but the loudspeaker itself is also a huge low pass filter, starting to fall off at 10kHz and beyond, depending on the design of the speaker.
Pander to guess why so many other class D designs have the original hump? Its not the first time I've seen it, so I assumed it was normal behavior.
